Christie’s AI Art Auction Sparks Controversy
We’ve already seen auction houses start to flirt with AI art. Last year, the ‘autonomous AI artist’ Botto made $351,600 at Sotheby’s. But Christie’s decision to host an entire auction dedicated to AI art this month is sparking a fierce backlash.
The Controversy Isn’t Unexpected
The controversy isn’t unexpected, but is it the right fight for those opposed to AI art? Many of today’s most popular AI image generators were trained on copyrighted material without permission, and there’s also a fear that AI will put artists out of work. But not all AI art is theft.
A History of AI Art
As we see in our piece on the history of AI art, the term is broad and includes art that was created or co-created using an artist or collective’s own proprietary algorithms. In these cases, the argument against AI starts to look more like a Luddite reaction than an argument over ethics and intellectual property.
Christie’s AI Art Auction
Christie’s bills Augmented Intelligence as its first complete auction dedicated to AI art. Running from 20 February to 5 March alongside an exhibition at the Rockefeller Center galleries in New York, it will feature 20 lots, from digital art to sculptures and acrylic and oil paintings. All of the pieces were created via some form of collaboration with artificial intelligence, and price estimates range from just $100 up to $1.7 million.
Pieces and Artists
Pieces include work from data and algorithmic art pioneers like Refik Anadol, founder of the upcoming Dataland AI art museum. The auction features one of his Machine Hallucinations made with an AI model trained on curated images from NASA’s Mars Reconnaissance Orbiter. Other artists include Sasha Stiles, who works with an algorithmic alter-ego trained on her poetry, and OpenAI’s first artist in residence Alexander Reben, whose Untitled Robot Painting blends generative AI with live performance.
The Backlash
An open letter with more than 3,500 signatures calls for Christie’s to cancel the AI art auction. Signed by many artists, the text reads: “Many of the artworks you plan to auction were created using AI models that are known to be trained on copyrighted work without a license. These models, and the companies behind them, exploit human artists, using their work without permission or payment to build commercial AI products that compete with them.”
A More Nuanced View
With a lot of so-called AI art, I would agree with the sentiment completely. But tarring everything with the same brush is oversimplistic. Christie’s isn’t selling AI slop churned out using a few prompts in Midjourney – and that kind of ‘art’ is hardly likely to sell at even the lowest prices that auction house is estimating.
A lot of the artists featured in the auction use bespoke algorithms, in many cases trained on their own work. And many of the pieces were collaborations with algorithmic tools rather than pure AI generations, putting them in a long tradition of algorithmic art that dates back to the 1960s.
Conclusion
The debate caused by the auction shows the continued controversy around AI art, and the strength of opinion against it. Even old-fashioned Photoshop fails now lead to accusations of AI use, as we saw with the recent Fantastic Four poster. But criticising all AI art as if it were made using a tool like Stable Diffusion risks losing support for the fight against unlicensed use of art to train image generators. Meanwhile, the US Copyright Office has shed more light on its stance on AI art copyright.
FAQs
Q: What is the Christie’s AI art auction?
A: Christie’s bills Augmented Intelligence as its first complete auction dedicated to AI art. Running from 20 February to 5 March alongside an exhibition at the Rockefeller Center galleries in New York, it will feature 20 lots, from digital art to sculptures and acrylic and oil paintings.
Q: What is the controversy surrounding the auction?
A: An open letter with more than 3,500 signatures calls for Christie’s to cancel the AI art auction, citing concerns that many of the artworks were created using AI models that are known to be trained on copyrighted work without a license.
Q: What is the significance of the auction?
A: The auction shows the continued controversy around AI art, and the strength of opinion against it. It also highlights the potential for AI to enhance human creativity, rather than replace it.
Q: What is the stance of the US Copyright Office on AI art copyright?
A: The US Copyright Office has shed more light on its stance on AI art copyright, stating that AI-generated works can be protected by copyright law if they are original and meet the statutory requirements for copyright protection.
