The award-winning VFX studio Lux Aeterna has constructed a popularity in results for specialist factual tv by remodeling scientific ideas and knowledge into breathtaking, cinematic scenes. The outcome makes science extra accessible and entertaining – and has cemented its place as a pacesetter in cinematic science-based visible results.
Labored on distinguished productions like 8 Days to the Moon and Again, Our Universe, Secrets and techniques of the Neanderthals and the brand new BBC Studios documentary Photo voltaic System showcases the studio ardour for pursuing scientific accuracy whereas producing participating, narrative-driven content material. We delved deeper to search out our extra about how they work, which incorporates shut collaboration with scientists and specialists in varied fields.
Lux Aeterna‘s work in science and pure historical past requires a blended concentrate on sustaining factual integrity whereas producing narrative-led content material that viewers wish to interact with. And generally which means having to achieve out to specialists in varied fields for enter into how greatest to visualise sure photographs and sequences.
When tasked with depicting the planet Theia crashing right into a primordial Earth for Our Universe, the Lux Aeterna crew received in contact with Dr Keggeris at Durham College, whose space of experience is planetary collision. Utilizing present knowledge from the Cosma supercomputer, the crew had been capable of generate a complete sequence for the sequence. Out of this collaboration, Lux Aeterna produced a simulation of the collision producing two moons, considered one of which was finally reabsorbed into our planet, including two additional photographs and a bit of additional narrative to the scene.
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VFX from Secrets and techniques of the Neanderthals

Secrets and techniques of the Neanderthals, additionally produced by BBC Studios, concerned a collaboration with Cambridge College on the processing of uncooked knowledge from a dig website in Iraq. Your entire website at Shanidar Cave had been captured utilizing LiDAR scanning, however simply as uncooked knowledge, leaving the Lux Aeterna crew to show these half a billion knowledge factors into a practical and traditionally correct atmosphere.
Utilizing MeshLab and Houdini, the crew painstakingly recreated the terrain, eradicating artifical objects and including particulars like rocks and streams. Cambridge College offered 4 skeletons for reference, from which the crew used photogrammetry and modelling to reconstruct these inside the atmosphere, including intricate particulars to factors of focus, equivalent to a stab wound to the rib. With constant suggestions and discipline notes from the scientists, the crew at Lux Aeterna breathed life into this fascinating piece of historical past.
“Generally, we’re capable of visualise one thing that’s unimaginable to see or think about,” says Paul Silcox, VFX Director at Lux Aeterna. “The within of the solar is a kind of locations. The crew was tasked with imagining a journey by way of a solar spot, to the connective zone, by way of the radiative zone, and into the core – then seamlessly altering scale and leaping into the atomic realm.” By way of testing and growth, the crew needed to discover the steadiness between a scientifically correct illustration, and one thing lovely and cinematic for the viewer.
Day by day design information, evaluations, how-tos and extra, as picked by the editors.
On the nuclear stage, the crew got here up in opposition to the unimaginable job of depicting the method of fusing atomic nuclei into heavier components. This course of has by no means been witnessed in microscopic element, so there was little knowledge to work with in creating this sequence. There was no reference imagery for the interactions of protons both, as they’re so minute that they don’t mirror gentle.
When representing these, feedback Tav Flett, Compositing Supervisor, “you’re primarily being requested to visualise a mathematical chance”. As an alternative, the crew centered on capturing that otherworldly feeling of wanting in on one thing which shouldn’t be seen to the human eye. Protons had been represented by a black gap, and the encircling, together with their interactions, was used to emphasize the forces concerned in these reactions. Utilizing shiny lights and digital camera warping, the crew efficiently encapsulated these atomic-level ideas in a visually attention-grabbing manner.

Visible results may even be a vital part of pure science narratives, serving to to assemble scenes that may in any other case be unimaginable to seize. In an episode of Turning Seasons, the Lux Aeterna crew assisted with an episode which adopted the circadian rhythms of a pregnant brown bear. To movie a wild bear, not to mention a pregnant feminine, in shut proximity is each harmful and impractical, so the crew relied on a mixing of on-site and studio photographs to supply footage of this pure phenomenon.
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Lux Aeterna continues to supply wondrous portrayals of scientific phenomena within the new five-part sequence, Photo voltaic System, airs on PBS NOVA and on BBC Two and BBC iPlayer, with the UK model offered by Professor Brian Cox. The docuseries takes the viewer on a journey by way of essentially the most fascinating occasions occurring all through the planets and our bodies in our photo voltaic system.
With full VFX builds wanted for many photographs to seize these marvels of house, the Lux Aeterna crew collaborated carefully with the BBC Studios Science Unit to make sure that its work remained strongly primarily based in actuality, with acute consideration to element. Consequently, Photo voltaic System exemplifies the crew’s signature mixing of scientific accuracy and extraordinary, cinematic-style visuals.
To be taught extra about Lux Aeterna’s VFX work, see our piece on our go to to the Bristol-based studio and our interview with CEO Rob Hifle.
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